The Last Penny

The Last Penny (2025) is a sculpture installed in July, 2025 on a light pole at the edge, and at the invitation, of an artist-run community garden. The garden, Jardin Papillon, was commissioned by an adjacent condo developer on the busy corner of Meilleur and Chabanel in the rapidly changing Chabanel Garment District of Montreal.
The Last Penny was made by repurposing found satellite dishes with laser-cut plywood and fibreglass and is intended to stay up as long as the garden remains in place at the discretion of the developers. The sculpture depicts the last Canadian penny before it was retired by the Royal Canadian Mint in 2013.
It resurfaces as a token of ambivalence—a cheap icon of patriotism in a refurbished nationalist era; a beacon of longing for an earlier time; an expression of art’s marginal appearance in the everyday economy (my two cents); public art in the form of the only thing that unites us: money.

 

Club Ami — Les manœuvres de la côte

Over 2022 and into 2023, along with other artists Maude Arès, Damián Birbrier and Adam Kinner, I took part in visits and workshops at Club Ami in preparation for their 40th anniversary exhibition at Maison de la Culture de Côte-des-Neiges. I noticed early on how the staff and members of Club Ami were negotiating around this project with great care and generosity the delicate puzzles of the past and the present, history and urgency, and the tensions around representation. My contribution was the Big Book, a device that could simply function as a series of surfaces to accommodate an archive of old and new work of various members. It was made of repurposed electrical conduits, textiles, caster wheels and wood.

Details below…

(more…)