Instructions from the Readymade Institution

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In the summer of 2017, the Readymade Institution course, led by Michael McCormack and Michael Eddy, organized an exchange project between Think School, an independent art course in Sapporo, Japan, and the Readymade Institution, NSCAD University. Each class installed the work of the other. Exhibition views from the Readymade Institution show in Public Art Research Center in Sapporo, Japan

instructions from the readymade institution

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I showed a Japanese-translated version of Protest Debate.

Exhibition views from Think School show in Anna Leonowens Gallery 3

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Think School exhibition announcement:

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The Readymade Institution class presents Think School
Anna Leonowens Gallery 3
NSCAD University Fountain campus
August 14, 2017—August 19, 2017
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Think School is a small, independently run art course organized by artists in the city of Sapporo, in Northern Japan. Their motto (in the speech bubble of their logo) is “Art school to make the city interesting.” Their classes meet once a week and feature lectures and workshops on various themes around art and culture.

For this exchange show, Think School students and teachers were given an open mandate, whose only constraints were those of transportation and translation. Students in the Readymade Institution Class at NSCAD U act as the curators of the received work, and collectively work out the arrangement and mediation of the show.
In exchange, the Readymade Institution Class is sending its work to Sapporo for an exhibition in October 2017, around the motif of instructions.

This process of caring for and interpretation of work sent from a remote context illuminates central aspects of portable and alternative galleries. Throughout our course we have discussed themes of DIY culture, institutional critique, community, variable scales, marginality, intimacy, movement and public space.

Gallery 4
Fallow Gallery
Granville Mall
NSCAD University Fountain campus
Opening August 14
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Among the group exercises undertaken in this course is the occupation of the Fallow Gallery, located in the Granville Mall (inside entrance between NSCAD Fashion dept. and the Art Bar). This vending machine-cum-art gallery initiated by then-students of NSCAD U Jacob Perry and Jolee Smith offered a venue to sell art pieces after the closure of the Seeds Gallery in 2013. It had been lying dormant for several months until Jacob and Jolee offered the use of the gallery to the Readymade Institution class. This exhibition , launching the same day as the Gallery 3 show in the Anna Leonowens Gallery, is called “Gallery 4”. All the works in the machine are offered for the minimum denomination the machine will accept, a nickel. (It should also be mentioned that the Fallow Gallery is open to new management by interested NSCAD students.)

 

published November 28, 2017

on ne répond pas à la question. contre toute attente on procède.

lump

As part of the launch of le merle #5, entitled “on ne répond pas à la question. contre toute attente on procède.” and folded into the event series trilogie électorale, I screened the video Infinite Cruelty, for nothing at Galérie UQO (20/10/2017) and at Musée d’art contemporain des Laurentides (MACL; 04/11/2017). I also realized a version of money drawing (Lump) at the MACL, seen above.

See the French subtitled version of Infinite Cruelty, for nothing here.

password: credit check

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And see the pdf of le merle #5 here: LeMerle05

 

published November 26, 2017

World Portable Gallery Convention 2012

Exhibition realized in cooperation with Eyelevel Gallery, September 2012.

The World Portable Gallery Convention 2012 was an international convention on portable galleries and alternative spaces hosted by Eyelevel Gallery during the month of September 2012.

Against the backdrop of the construction of a massive $164-million convention centre in downtown Halifax—and therefore a huge emphasis on the economic potentials of convening and networking—the project celebrated the variety of spaces artists and others have initiated with the smallest of means.

Investigations were thereby conducted into topics including scale, autonomy, mobility, intimacy, as well as transitions from alternative to established, and the pathways between DIY and entrepreneur.

For a PDF of the book (size: 80 mb) documenting the project, click here

Smaller-size excerpts:

Introduction
Radical Napkin Theology

For more details on the project, click here

For a specially-edited issue of CTRL+P online journal, click here

Installation view, from left to right: Museum of Mental Objects (Judy Freya Q. Sibayan); Nasubi Gallery (Ozawa Tsuyoshi) showing Ken Lum; background: Gallery Deluxe Gallery (Paul Hammond and Francesca Tallone) showing Chris Foster; foreground: Reduce Art Flights (Gustav Metzger).

DIY MoMO Guidelines for the Museum of Mental Objects.

Nasubi Gallery showing Ken Lum.

Gallery Deluxe Gallery showing Chris Foster’s Convoy.

RAF campaign making appearances across the city.

Installation view, from left to right: Coat of Charms (Hannah Jickling) showing F* Mountain; Nanomuseum (Hans Ulrich Obrist) showing the shop (Vitamin Creative Space) presented by Matt Hope.

 

Out on the town: Coat of Charms showing F* Mountain’s Observer of Beautiful Forms; Nanomuseum making an appearance on morning TV.

Alopecia Gallery (Gordon B. Isenor) showing Duke and Battersby’s Heroin Song.

Installation view: Feral Trade Café (Kate Rich)

Velcro Gallery (Craig Leonard with Beck Osbourne) showing Open Call.

P.R. Rankin Gallery (Elizabeth Johnson and Michael McCormack) collected after-hours phone messages.

Michael McCormack introducing the panel “Expose Your Self.”

MediaPackBoard (Valerie LeBlanc and Daniel Dugas) on a tour around the Nova Centre construction site.

Site of the Nova Centre, circa September 2012.

Doppelgäng

In collaboration with Erik Blinderman.
Performance, installation and photography.
Oppenheimer Space, Frankfurt am Main, Germany, 2008.


View of Doppelgäng installed on the back of Oppenheimer Space.

This piece consisted of an installation, a performance and resulting photograph made in collaboration with Erik Blinderman. A small gallery space was doubled in black vinyl at its rear, accessed by installing Erik’s piece Speakeasy modified with a peep-hole fitted with a lens. This effectively turned the black double into a ‘camera obscura’ in which life size photographs (1m x 2m) of the original gallery space were exposed and immediately developed. The performance included an announcement, the photo shoot, and the development, which lasted 2 hours.

Post-performance view of Doppelgäng showing the resulting photographs.

 
Inverted images of the resulting photographs.

 
Views of the original photograph (left) and its double (right) rephotographed by setting up the Dopplegäng as a “studio camera.”