Club Ami — Les manœuvres de la côte

Over 2022 and into 2023, along with other artists Maude Arès, Damián Birbrier and Adam Kinner, I took part in visits and workshops at Club Ami in preparation for their 40th anniversary exhibition at Maison de la Culture de Côte-des-Neiges. I noticed early on how the staff and members of Club Ami were negotiating around this project with great care and generosity the delicate puzzles of the past and the present, history and urgency, and the tensions around representation. My contribution was the Big Book, a device that could simply function as a series of surfaces to accommodate an archive of old and new work of various members. It was made of repurposed electrical conduits, textiles, caster wheels and wood.

Details below…

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Credos IV

CREDOS IV

Credos IV is a book-as-exhibition, the fourth in an ongoing series of displays of artworks that elaborate on notions of belief (see below).  It was launched February 3rd, 2022 at articule artist run centre.
The 5 inch by 8 inch books are 150 pages in black and white with colour inserts. Each comes with handmade hardwood frames, individually covered in textile, which the books can easily slip in and out of (back and front covers offering different choices of image by the painter Mina Hedayat). Credos IV can be hung on a nail or fit on a shelf, and look nice on their own or in clusters. They come in a numbered edition of 200.
With contributions from Lea Cetera, Mina Hedayat, Craig Leonard & Michael Fernandes, Jones Miller, Pak Sheung Chuen, Jeanne Randolph, Alessandro Rolandi, Jamie Ross, and others.
They are priced at $30 and can be found at the following locations, with more distributors forthcoming:

Articule (Montreal)

Art Metropole (Toronto)

Axenéo7 (Gatineau)

Canadian Centre for Architecture bookstore (Montreal)

La Fonderie Darling (Montreal)

Librairie le Port de Tête (Montreal)

Verticale — centre d’artistes (Laval)

Credos is a series of exhibitions that started off as table-top group mini-exhibitions conceived for church-basement bazaars in Laval and Greater Montreal throughout 2019–20. The first two editions took place in different Armenian congregations in Laval. When the COVID-19 pandemic put subsequent Québec editions on hold, a version was transported to Charlottetown, Prince Edward Island, and shown in the frame of the all-day public art festival “Art in the Open” in 2020. An 8-hour online radio program was broadcast alongside the tabletop displays.
Credos IV is also a response to social distance, but at the same time a furthering of an inquiry into the substitutions and translations of an exhibition into non-gallery spaces.

See more about previous editions here.

 

 

published Ferbuary 17th, 2022