Club Ami — Les manœuvres de la côte

Over 2022 and into 2023, along with other artists Maude Arès, Damián Birbrier and Adam Kinner, I took part in visits and workshops at Club Ami in preparation for their 40th anniversary exhibition at Maison de la Culture de Côte-des-Neiges. I noticed early on how the staff and members of Club Ami were negotiating around this project with great care and generosity the delicate puzzles of the past and the present, history and urgency, and the tensions around representation. My contribution was the Big Book, a device that could simply function as a series of surfaces to accommodate an archive of old and new work of various members. It was made of repurposed electrical conduits, textiles, caster wheels and wood.

Details below…

(more…)

Call for Submission

(photo Michael McCormack)

The below text was included in a zine called “Preposterous Portability,” put together by Hannah Jickling and Helen Reed’s class at the School Of Visual Art (SOVA) in Dawson City, Yukon, in dialogue with the “Readymade Institution” class instructed by Michael McCormack and Michael Eddy at NSCAD University.  Hannah and Helen’s class collected the contributions that addressed the theme of portable and alternative gallery space (as did our course), and assembled them into printed form with a limited run, including screen-printed covers, in February 2021.


 

published April 14th, 2021