Credos

This is a project of table top exhibitions held in church bazaars. The invited participants are artists and writers whose work has engaged with belief in various ways. Many of them have dealt with their own personal experiences of organized religions, but without staging a rejection or a celebration. Rather, there is a translation process involved.
The desire to hold these 2- or 3-person table top exhibitions in bazaars stems from a project I had organized with others at HomeShop, which was a series of interventions in the Farmers Market in Beijing called “True and False”. In Montreal, I felt the church bazaars held a similar potential for art works to rub against and settle beside a variety of other value scales. Of course, there are diverse publics, the most basic of types being those who are there for the church and those who show up primarily for the art. However, in either case, the work is discussed and introduced by the presenters, and so a negotiation has already started. There is a plurality of entry points in the selected works, and so interactions over the table can be unpredictable and yet down to earth.

This project remains unfinished. Its first two iterations took place in cooperation with the artist-run centre Verticale in the city of Laval, Québec in November 2019. The next two iterations were planned for April and May 2020, with Verticale again, and with articule artist-run centre. The series has not been cancelled, but is on hold due to the COVID-19 pandemic. Though all art exhibitions, as well as any other social activity, are and will be affected by the outbreak, it seemed poignant to think about the depth of this crisis for religious and spiritual gatherings. Churches and many other places of worship serve an older demographic that is especially vulnerable to the worst of the coronavirus. So it may take a while, or may take a different form, to finally realize this project.


Stay tuned…

The first edition of Credos was held on the first weekend of November 2019 at the Armenian Evangelical Church of Montreal in Laval. On display were:
Opioid Wall Book by Cliff Eyland (drawings)
non-visible by Asako Iwama and Derrick Wang (video)
Stretching Exercises by Michael Fernandes and Craig Leonard (book)

   

Visitors were invited to contribute a translation of the instruction poetry in Stretching Exercises.

 

 

 

 

 

 

The second edition of Credos was held on the last weekend of November 2019 at the Armenian Community Centre of Laval. On display were:
Earrings by Mina Hedayat (wearable objects)
Painting Hijabs by Mina Hedayat (paintings)
Plant Hijabs by Mina Hedayat (sculpture)
Stretching Exercises by Michael Fernandes and Craig Leonard (book)
A presentation by Michael Eddy on the origins of the Credos project.
A lecture by Vincent Bonin on the work and life of Michel Journiac.

   

 

See more at Credos 3

Styrofoam Prints

library
2017
printing ink on paper
91.4 cm x 81.2 cm

t-shirt
2017
printing ink on vellum
71.7 cm x 68.5 cm

The young George
2018
printing ink on tyvek
100 cm x 70

tsarnaev.biz
2018
printing ink on tyvek
60 cm x 91 cm


Crossing
2017
printing ink on paper
99 cm x 91.4 cm

Wedding
2017
printing ink on paper
91.4 cm x 76.2 cm

non ultra sapere quam oportet sapere (know no more than it is necessary to know)
2018
printing ink on paper
62 cm x 101 cm

non ultra sapere quam oportet sapere (know no more than it is necessary to know)
2018
printing ink on coloured polyester film
62 cm x 200 cm

Tattoos (printing element)
2017
styrofoam, printing ink
243.8 cm x 60.9 cm

School (printing element)
2017
styrofoam, printing ink
243.8 cm x 60.9 cm

Beach (printing element)
2017
styrofoam, printing ink
150 cm x 60.9 cm

Inhale Exile, Part 2: mein anderer Vater trank Bier auf Ex aus dem Aschenbecher

Exhibited at Husslehof in Frankfurt, DE, and realized in cooperation with Leonhardi Kulturprojekte (2016).

This second iteration of Inhale Exile was subtitled “My other father chugged beer from ashtrays.” It included works and documents by: Michael Fernandes, David Hammons, Gareth James, Leisure (Susannah Wesley, Meredith Carruthers), Lee Lozano, Sean Lynch, Steffanie Ling, Anthony McCall, Daniel Olson, Nick Santos Pedro, Alessandro Rolandi, Lawrence Weiner, Norman Rockwell.

 

See the web PDF of the second Inhale Exile broadsheet.

Inhale Exile Part 1: The Break

Exhibited at L’escalier, Montreal, CA, from May 21 to July 16, 2016.

This first iteration of the curatorial project Inhale Exile, subtitled “the break,” consists of two parts: an installation in the space of L’escalier, and a screenings of video works punctuating the run of the exhibition. The smoke break and the discourses and speech acts (rumours, counter-histories) produced there are understood as aesthetic potentialities of smoking culture. In institutional contexts, these breaks have engendered reconfigurations of time and space, the sharing of informal comments or opinions, private thoughts in public.

“The break” included works by: Sean Lynch, Leisure (Susannah Wesley, Meredith Carruthers), Michael Fernandes, Gareth James, Roger Quallen, Alessandro Rolandi, Lawrence Weiner*, Philip Guston*, Richard Prince*, Lee Lozano*, Claire Fontaine*, Hans Haacke*, David Hammons* and screenings of videos by Nina Koennemann, Lee Kit, Erik Blinderman, Steve Carr, Knowles Eddy Knowles, Daniel Olson and Christian Boltanski.

See the web PDF of the first Inhale Exile broadsheet.

Instructions from the Readymade Institution

instructions-from-readymade-institution-sapporo-poster copy

In the summer of 2017, the Readymade Institution course, led by Michael McCormack and Michael Eddy, organized an exchange project between Think School, an independent art course in Sapporo, Japan, and the Readymade Institution, NSCAD University. Each class installed the work of the other. Exhibition views from the Readymade Institution show in Public Art Research Center in Sapporo, Japan

instructions from the readymade institution

readymade-institution-sapporo-installation-view

protest-debate-installed1

I showed a Japanese-translated version of Protest Debate.

Exhibition views from Think School show in Anna Leonowens Gallery 3

thinkschool-title

thinkschool-installation

Think School exhibition announcement:

ThinkSchoolPoster-draft

The Readymade Institution class presents Think School
Anna Leonowens Gallery 3
NSCAD University Fountain campus
August 14, 2017—August 19, 2017
thinkschool-installation-title

Think School is a small, independently run art course organized by artists in the city of Sapporo, in Northern Japan. Their motto (in the speech bubble of their logo) is “Art school to make the city interesting.” Their classes meet once a week and feature lectures and workshops on various themes around art and culture.

For this exchange show, Think School students and teachers were given an open mandate, whose only constraints were those of transportation and translation. Students in the Readymade Institution Class at NSCAD U act as the curators of the received work, and collectively work out the arrangement and mediation of the show.
In exchange, the Readymade Institution Class is sending its work to Sapporo for an exhibition in October 2017, around the motif of instructions.

This process of caring for and interpretation of work sent from a remote context illuminates central aspects of portable and alternative galleries. Throughout our course we have discussed themes of DIY culture, institutional critique, community, variable scales, marginality, intimacy, movement and public space.

Gallery 4
Fallow Gallery
Granville Mall
NSCAD University Fountain campus
Opening August 14
readymade-institution-gallery-4breadymade-institution-gallery-4

Among the group exercises undertaken in this course is the occupation of the Fallow Gallery, located in the Granville Mall (inside entrance between NSCAD Fashion dept. and the Art Bar). This vending machine-cum-art gallery initiated by then-students of NSCAD U Jacob Perry and Jolee Smith offered a venue to sell art pieces after the closure of the Seeds Gallery in 2013. It had been lying dormant for several months until Jacob and Jolee offered the use of the gallery to the Readymade Institution class. This exhibition , launching the same day as the Gallery 3 show in the Anna Leonowens Gallery, is called “Gallery 4”. All the works in the machine are offered for the minimum denomination the machine will accept, a nickel. (It should also be mentioned that the Fallow Gallery is open to new management by interested NSCAD students.)

 

published November 28, 2017